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两阳夹一阴与其他强势形态的比较

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  • 青柳翔 Spader 施柏宇 赵廷义 刘克 
  • Like his fi ery stu dy of a p opular milieu in Fiè vre, Louis D elluc& #39;s early m asterpiece of impressioni st cinema, La Femme de Nu lle Part, is almost imp ossible to see outside of ra re archival p rojecti ons in Paris. S hot in nat ural settings, and st ripped of all that is not cin ema, Dell uc's psychologi cal drama feat uring symbol ist muse Eve F rancis is an ex periment i n &# 39;direct s tyle.&am p;#39; A f ascinati ng study in th e relati onship betw een past an d present, memory, dr eam and reali ty, this revolutiona ry film w ould be a s ource o f inspir ation for s uccessive filmma kers, fro m Franco is Truff aut to A lain Resnais.

两阳夹一阴与其他强势形态的比较评论

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